The Beatles’ White Album for a New Generation – Lailien’s A to Z Kaleidoscopic Masterpiece Arrives




Track: Agent Amsterdam; Snow White

The Beatles; Pink Floyd; Radiohead; Animal Collective

Mind-bending” – Stuart Maconie’s Freakzone,
BBC 6Music

Mesmerizing” – The Line
of Best Fit

creativity knows no boundaries” – Independent Music News 24

… an instant classic…Lailien’s debut album, ENSOULAR, is released in 2019 but, rather like Sun Ra, perhaps it’s already been available for millennia in some corners of the universe. It’s sharp, catchy, angular, and fucking amazing.” – Sonic News

Citing My Bloody Valentine, The Velvet Underground and Lana Del Rey as just a few of his influences, Lailien is an independent Toronto-based songwriter and producer scintillating and sky-rocketing with 100,000s of plays across streaming services the last few months whose debut album ENSŌULAR is setting new standards for pop, rock and electronica. Genre-hopping and genre-creating, listening to the LP sounds something like walking through a fairground where all the rides have sped up and gone flying off the tracks…

Twenty-six tracks – one for each letter of the
– recorded over five years, designed to be
listened to in order whilst at the same enabling the listener to scramble
sequences according to their mood, this is an album exploring both new words
and Brave New Worlds. The scrambling of songs nevertheless cohere just like how
re-sequenced letters formulate pathways in language, re-arrangement of 26
building blocks of reality building novel semantic proliferations. As
psychedelic as they come, Lailien’s ENSŌULAR is both his debut and his White
Album – unafraid to experiment with lyrics and melody and showing a blatant
disregard for convention, tracks such as Agent Amsterdam sound like
shipping forecasts for seas of mercury in other galaxies.

ENSŌULAR (a triple
pun of ensō-soul-solar) is an epic of immense delight, love and disclosure.
Lailien explains:

“It’s an ode to
language, imagination and self as multiplicity.
ENSŌULAR is an exploration of the deepest, most
pressing existential concerns of the human condition at our particular moment
of historical crisis. It is both the recorded trace of my exploration and the
archeological expedition itself for the listener to experience firsthand. I
wrote it to no longer be contained by conventionally sanctioned semantics and
metaphysical structures because culture has failed us. Simultaneously, I knew I
had to make something that would bring joy and vivification to anyone who
actually listened to it while honouring the material basis and very real
struggles of reality. What is the album’s endgame? Nothing short of actualizing
one’s soul and achieving nirvana. Life is immensely difficult and tragic but
art can catalyze, transform and heal in utterly revelatory, enlightening ways.
That’s what my favourite artists gifted me and what I seek to offer in return”.

Lailien posits himself as the “anti-matter twin” and alter-ego of poet Brad
Shubat, his historical self. Lailien’s name can be deciphered as follows: ‘Lail’
>> Arabic >> ‘Night’; Phonemically ‘Ail’ + ‘Alien’ >>
Semantically, “The Ailing Night Alien” i.e. The Soul.
“extra-dimensional sorcerer, rational empiricist, psychopomp and trickster,”
Lailien is a University of Toronto graduate who at one point in his life was on
his way to becoming a Professor of Literature. Teaming up with Grammy Award
Winner Mark Zubek
who contributes essential production on all the songs,
the more intimate moments of the album are reminiscent of the likes of Bon
and Joanna Newsom.

Acultural-omnivore, Lailien sites diverse influences such as Grimes, Animal Collective and James Blake, as well as popstars such as Beyoncé and Taylor Swift, and academic influences ranging from gender theorist Judith Butler to modernist writer Virginia Woolf. If this all seems a bit too much to take in at once, Lailien would likely say that’s one of the purposes of his music. He probably wouldn’t say it though, he’d sing it – in a coded, head-spinning manner.




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